Fox and the lantern was a bit like walking among the shrubberies of the great courtyard at night, for they loomed in just the same way, all seeming as if they were about to come alive and start striding around.
She could see that they were the work of Bellamew. Animals turning into each other, people turning into animals, people turning into mountains or trees, all with a vitality, a sense of movement and feeling. Then the lamp caught a strange blotch of color and Bitterblue realized something was peculiar about these sculptures. Not just peculiar, but wrong: They were slapped over with gaudy, bright paint of every color, paint that made spatters all across the rug.
She had expected weapons of torture in this room, perhaps. A collection of knives, stains of blood. But not ruined art arranged on a ruined rug, surrounding the skeleton of a bed.
He destroyed the sculptures in his rooms. Why?
The walls all around were covered with continuous hangings. A field of grass, turning to wildflowers, then into a thick forest of trees that gave way to wildflowers again, then to the field of grass it had started with. Bitterblue touched the forest on the wall, just to assure herself that it wasn't real, only a hanging. Dust rose; she sneezed. She saw a tiny owl, turquoise and silver, sleeping in the limbs of one of the trees.
Built into the back wall of the room was a door. It led to nothing more than a bathing room, functional, cold, ordinary. Another door opened to a closet space, empty and choked with dust. She could not stop sneezing.
A third doorway in the back wall, this one a simple opening with no door, led to a spiral staircase climbing up. At the top of the stairs was a door so thoroughly nailed over with boards that it was difficult to catch a glimpse of the door itself. Bitterblue pounded and called Helda's name. When Helda responded, her question was answered: This was the staircase that led up to Bitterblue's sitting room and the blue horse hanging.
Down the steps again, Bitterblue said to Fox, "It's creepy, isn't it?"
"It's fascinating, Lady Queen," said Fox, stopping before the room's tiniest sculpture, staring at it, mesmerized. It was a human child, perhaps two years old, kneeling with arms outstretched. A girl with something knowing in her eyes. Her arms and hands were turning to wings. Her wispy hair was sprouting feathers, her toes turning into talons. Leck had slapped a streak of red paint across her face, but it didn't manage to deaden the expression in her eyes.
Why would he try to ruin something so beautiful? What is the world he was trying, and failing, to create?
What is the world Runnemood is trying to create? And why must they both create their worlds by destroying?
27
IN THE MORNING, Madlen arrived, rebandaged Bitterblue's shoulder wound, gave her medicines, and commanded her, with clear and specific instructions, to take them, even the bitter ones that were nauseating to swallow. "They will help your bones knit together, Lady Queen," she said, "faster than they could on their own. Are you doing the exercises I prescribed?"
The sun rose while Bitterblue grumbled over breakfast, but dimly. When she dragged herself to the windows in search of light, she discovered a world of fog. Fighting to make out the back garden through the whiteness, she thought she saw a person standing on the garden wall. The person threw something into the garden, a small, slender, gliding thing, bright white and slashing a streak through the thick air.
It was Po with his stupid paper glider. As she recognized him, he raised an arm in greeting to her, then lost his balance, spun both arms like a windmill, and promptly fell off the wall. Somehow he managed to propel himself into the garden rather than into the river. Most certainly Po, and most certainly not well enough to be doing gymnastics in the back garden.
Bitterblue glanced at Madlen and Helda, who sat at the sitting room table murmuring over their morning cups. If Po had escaped from the infirmary again, she didn't want to give him away. "I feel like a bit of air before I go to my office," she said. "If Rood or Darby come for me, tell them to stuff themselves."
A grand production followed this announcement. The choosing and placement of a scarf, the positioning of her sword, the draping of a cloak over her bound arm. Finally, feeling