Asimovs Guide To Shakespear Page 0,6

brook.

- lines 161-62

The tale of Narcissus begins with a nymph, Echo, who had, at Jupiter's orders, kept Juno busy with prolonged and idle gossip while Jupiter busied himself with various nymphs. When Juno found out, she punished Echo by depriving her of her voice-except that she was permitted to repeat the last words of anything said to her.

Unhappy Echo fell in love, thereafter, with Narcissus, a handsome youth who would love no one. She tried to woo him, but could only repeat his last words, and he fled from her impatiently, so that Echo pined away until only her voice was left.

And then one day Narcissus came across a clear spring in which he saw his own face. He had never seen his face before and, staring at it now, fell in love with it. He attempted to woo it, but the shadow could not respond and, in effect, rejected him, so that "himself himself forsook." Attempting, finally, to kiss his shadow, Narcissus drowned, and he too added a word to our language-"narcissism," the morbid love of one's self.

This trick of having Adonis cold to Venus gives Shakespeare a chance to turn his poetic powers to a less hackneyed motif than that of a man's praise of womanly beauty. He can turn to the harder and less familiar task of a woman's praise of manly beauty.

Then too, if we go along with the homosexual component of Shakespeare, it may be significant that a poem dedicated to young Southampton features the prolonged praise of manly beauty and a prolonged pleading for a love that is not, and cannot, be given.

... god of war

Venus points out that she is rarely refused when she asks for love:

"I have been wooed, as I entreat thee now, Even by the stern and direful god of war,

- lines 97-98

One of the most famous tales of Venus/Aphrodite is her love affair with Mars/Ares. The tale is told in the Odyssey (Homer's epic poem concerning the voyages of Odysseus), in which Venus is pictured as married to Vulcan/Hephaestus, the ugly and lame smith god. Venus is, under these conditions, quite ready to respond to the wooing of Mars.

Vulcan, suspecting that Venus is being unfaithful, rigged up a device whereby an unbreakable net could fall upon the bed and catch Venus and Mars in the position of love. This was done; Mars and Venus were helplessly bound together while the angry Vulcan called in the other gods to witness his wife's criminal behavior. Unfortunately for himself, the reaction of the gods was not one of sympathy for Vulcan, but rather of envy for Mars.

And Titan ...

By now, the sun was high in the sky:

And Titan, tired in the midday heat,

With burning eye did hotly overlook them,

Wishing Adonis had his team to guide,

So he were like him, and by Venus' side.

- lines 177-80

In the Greek myths, Jupiter/Zeus and his fellow deities had not always ruled the universe. Before them had been a race of older gods whom they supplanted. (Perhaps this is a reflection in myth of the supercession of the pre-Greeks of the Balkan peninsula by the invading Greek tribes.)

These older gods were called Titans, and their chief was Cronus, whom the Romans called Saturn.

The Titan who served as the god of the sun was Hyperion. One way of saying this, mythologically, was to make him the father of Helios (the Greek word for "sun"). Both "Hyperion" and "Helios" are thus used in classic-minded literature to represent the sun. Since both are considered Titans, the sun can be called, as here, "Titan."

The sun was always pictured as a blazing, golden chariot, driven by a team of wild, fiery horses. It is with this in mind that Shakespeare pictures the "Titan" as wishing Adonis held the reins and he himself were lying by Venus.

In later Greek poetry, Apollo was made the god of the sun, and Shakespeare, in the course of his writing, uses "Apollo" to symbolize the sun too. The Titaness Phoebe, a sister of Hyperion, was the goddess of the moon, and the myths make Apollo a grandson (on his mother's side) of Phoebe. He inherits the ancient name in its masculine form, then, and is called Phoebus or Phoebus Apollo, "Phoebus" too is used by Shakespeare to represent the sun.

Thy mermaid's voice ...

Adonis is only irritated by Venus' pleadings. While she keeps him back from the hunt with her attempted love-making, his stallion spies a mare and breaks loose. Adonis fails to recapture him and petulantly scolds

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