the fourteenth century, one chronicler noted, “Virtually none of the lords and great men died in this pestilence.”
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In that pestilence, perhaps half of all humans living in Europe died between the years of 1347 and 1351. What was then usually called “the pestilence” or “the mortality” is now known as the Black Death, and this torrent of plague also devastated Asia, North Africa, and the Middle East. As the Egyptian historian al-Maqrizi noted, the plague “did not distinguish between one region and another.”
Al-Maqrizi’s hometown of Cairo was the world’s largest city outside of China in 1340, with a population of around six hundred thousand. But at least a third of Cairo’s residents died in an eight-month period beginning in the summer of 1348. The famous world traveler Ibn Battuta reported that at the height of the pestilence in the city of Damascus, 2,400 people died every day.
To many, it felt like the end of humanity had arrived. The historian Ibn Khaldūn wrote that it felt “as if the voice of existence in the world had called out for oblivion.” In Christian communities, the devastation was seen as more final and total than even the Great Flood. The chroniclers of Padua wrote that at least “in the days of Noah, God did not destroy all living souls and it was possible for the human race to recover.”
It’s hard even to fathom the scope of the loss. Cities from Paris to London to Hamburg saw most of their residents die from the plague and resulting systemic collapses. In Dubrovnik, the death was so unrelenting that the government ordered every citizen to fill out a will. In Florence, a city of more than one hundred thousand people, one recent estimate concluded that about 80 percent of the city’s population died in a four-month period. In Ireland, a Franciscan friar named John Clyn described life as “waiting amid death for death to come.”
Near the end of his plague journal, Clyn wrote, “So that the writing does not perish with the writer, or the work fail with the workman, I leave [extra] parchment for continuing the work, in case anyone should still be alive in the future.” Beneath that paragraph, a brief coda appears in different handwriting: “Here, it seems, the author died.”
In Florence, Giovanni Villani wrote of the pestilence, “Many lands and cities were made desolate. And the plague lasted until . . .” and then he left a blank space that was never filled in, because he died of the plague before the plague ended.
To read about the Black Death is to glimpse how it may end with our species—in longing and despair and panic and also ineradicable hope, the kind of hope that makes you leave sentences unfinished and extra parchment in your book, in case anyone should still be alive in the future. As William Faulkner once put it, “It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.” Faulkner went on to argue that humans will not merely endure but will prevail, which these days feels a bit ambitious to me. I, for one, would be delighted to merely endure.
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The historian Rosemary Horrox wrote of the Black Death, “The very enormity of the disaster drove chroniclers to take refuge in clichés. . . . The same comments appear in chronicle after chronicle,” and indeed, around the plague world, the stories become repetitive. We read, for instance, that corpses lay in the streets of Florence and overwhelmed the graveyards of France and choked the Nile River in Egypt. Chroniclers also focus on the suddenness of it all. One day, a single nun is sick; within a week, her whole community is dead. And the rituals around death must be changed. The bells are no longer tolled for the dead, because they would toll without ceasing. And as one writer put it, “the sick hated to hear them and it discouraged the healthy as well.”
But for me, the most gutting repetition in plague accounts is the abandonment of the ill, who were often left to die alone due to fear of contagion, especially in Europe. After the poet Joy Davidman died in 1960, her widower C. S. Lewis wrote, “Nobody