Annihilation - Jeff Vandermeer Page 0,42
If there had been an endless number of pages, I feared that I would have stood there reading for an eternity, until I fell to the floor and died of thirst or starvation.
I began to wonder if the absence of references to the Tower fit this theory as well, this writing around the edges of things.
… in the black water with the sun shining at midnight, those fruit shall come ripe …
Then I found, after several banal or incomprehensible samples, a journal that wasn’t the same type as my own. It dated back to before the first expedition but after the border had come down and referenced “building the wall,” which clearly meant the fortification facing the sea. A page later—mixed in with esoteric meteorological readings—three words leapt out at me: “repelling an attack.” I read the next few entries with care. The writer at first made no reference to the nature of the attack or the identity of the attackers, but the assault had come from the sea and “left four of us dead,” although the wall had held. Later, the sense of desperation grew, and I read:
… the desolation comes from the sea again, along with the strange lights and the marine life that at high tide batters itself against our wall. At night, now, their outliers try to creep in through the gaps in our wall defenses. Still, we hold, but our ammunition is running out. Some of us want to abandon the lighthouse, try for either the island or inland, but the commander says he has his orders. Morale is low. Not everything that is happening to us has a rational explanation.
Soon after, the account trailed off. It had a distinctly unreal quality to it, as if a fictionalized version of a real event. I tried to imagine what Area X might have looked like so long ago. I couldn’t.
The lighthouse had drawn expedition members like the ships it had once sought to bring to safety through the narrows and reefs offshore. I could only underscore my previous speculation that to most of them a lighthouse was a symbol, a reassurance of the old order, and by its prominence on the horizon it provided an illusion of a safe refuge. That it had betrayed that trust was manifest in what I had found downstairs. And yet even though some of them must have known that, still they had come. Out of hope. Out of faith. Out of stupidity.
But I had begun to realize that you had to wage a guerrilla war against whatever force had come to inhabit Area X if you wanted to fight at all. You had to fade into the landscape, or like the writer of the thistle chronicles, you had to pretend it wasn’t there for as long as possible. To acknowledge it, to try to name it, might be a way of letting it in. (For the same reason, I suppose, I have continued to refer to the changes in me as a “brightness,” because to examine this condition too closely—to quantify it or deal with it empirically when I have little control over it—would make it too real.)
At some point, I began to panic at the sheer volume of what remained in front of me, and in my panic I refined my focus further: I would search only for phrases identical to or similar in tone to the words on the wall of the Tower. I started to assail the hill of paper more directly, to wade into the middle sections, the rectangle of light above me a reassurance that this was not the sum of my existence. I rummaged like the rats and the silverfish, I shoved my arms into the mess and came out holding whatever my hands could grasp. At times I lost my balance and became buried in the papers, wrestled with them, my nostrils full of rot, my tongue tasting it. I would have looked unhinged to anyone watching from above, and I knew it even as I engaged in this frenzied, futile activity.
But I found what I was looking for in more journals than I would have expected, and usually it was that beginning phrase: Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms … Often it appeared as a scrawled margin note or in other ways disconnected from the text around it. Once, I discovered