into each other’s eyes for the first time, or rather: rupture, daring: the brown nourishing itself on the green, and vice versa. O furtive proof.
The process of discovery, that’s what was on offer: eyes exploring eyes. To look at what’s wild in the eyes, almost the world’s toy, the color, that which opens onto and exposes the firmly rooted sunken length of a suggestion. Certainly silence abetted concentration and thus they enjoyed each other. Other details as well: the shape of the eyebrows and the distance from there to the eyes; then the shadows under the eyes, the cheekbones, all delicate trifles and, above all, good smells. There they remained for a long while studying each other’s features. Neither of them had ever experienced that. A different kind of pleasure, more detailed. Example: the lashes—phew! They viewed each other’s mouths more lasciviously. In fact, Renata was wearing lipstick, enhanced vermilion, kissable—no! but judging from the fleshy fullness of her lips she seemed ill at ease unless she was constantly kissing. A real mistake and a fantasy assessment. As opposed to Demetrio’s mouth: thin lips, for whistling, not at all sensual, but longing to be so. A deterrent. The closest and most appetizing in reality was forbidden material. Sin was on the prowl and better to create some distance, if only because Doña Luisa, always shrewd and bitter, might appear at any moment, we can see her, even just her head popping in, first, in warning, then her whole body and saying:
“So, children, are you behaving yourselves?”
Tiresome, this decoy, why wonder. Distrust or excessive propriety. Also Doña Luisa told them that it was time to wrap it up, they could see each other again the following day at the same time: visits by minutes, we could call it. Meet in the living room, ergo: propriety: a small love, apparently, though grandiose if interpreted appropriately. So Demetrio left mostly contented because he had finally looked long and hard at Renata’s face—what a beauty, truly!
When he got back to Doña Zulema’s house he wanted only to shut himself up in his room. He didn’t care to give even the most meager account of his date with Renata. Mother and aunt, in fact, asked, but he wagged his finger no, as if wanting to reject all their questions in a single sweep, about six stupid ones, or erase them one by one. He preferred to sink into his solitude, certainly quite cramped, rather than listen to banalities, even if all were instructive. When he did leave his room, because hunger was pressing his stomach against his spine, he preferred to go grab a bite at a tavern, and if we are obliged to expand upon this subject, there were three taverns and all three were on the verge of closing for lack of customers, just one or two throughout the whole day, not enough at all. So the food was poorly prepared at all three, à la don’t-give-a-damn, or rather pretty or a lot greasy: creaky, crackling, thundering, or who knows what, and definitely—what a racket in the kitchen! when he ordered enchiladas or fried tacos topped with lettuce. But Demetrio, we repeat, preferred that griminess to homespun clean that translated into intolerable pestering. Between one torture and the other, he chose the tavern.
Now let’s discuss in greater depth the four days Demetrio remained in Sacramento living out, as we know, his tiny but constant love with his future and sensational wife; he didn’t eat even a crumb of breakfast, no lunchtime stew or supper at Aunt Zulema’s house because, to tell the truth, he didn’t want to talk to the ladies. Though he did mix and match the taverns: that one for breakfast, another for lunch, and, well, like that, then he switched it around: that one’s better for supper and that one for breakfast, so he varied it: or rather his whimsy was an eeny, meeny, miney, mo, but what we can affirm is that none of the three taverns was any good, and also that’s why one day soon they would have to shut their doors.
We understand that Demetrio spent the remainder of his time sitting (like a big shot) on a bench, mulling over his life, a way to kill what’s killable by remembering it. True, he could do that shut up in his room, but out in the open air: advantages, the changing colors of the day, the tiny transformations—how many? That’s when he looked at his wristwatch: five