Cross My Heart and Hope to Spy(36)

The noise from the party grew faint as I ran; Beethoven gave way to the sound of my feet. I hurried down the old stone corridor, listening, looking, until the party was completely eclipsed by the thick stone walls and dense beams, and I was finally alone. … I was supposed to be alone. But there was Zach, leaning against the wall, and for a second both of us just stood there, staring. A strange look crossed his face. "Hey, Gallagher Girl, I thought I'd find you here."

Which was a very bad thing, because A) He'd only looked a little surprised to see me there—which means I'm predictable; and trust me, for people in the clandestine services, predictability is a very bad thing. And B) I'm pretty sure the bra was only hanging on by a thread—literally! I think it was hooked on the waistband of my pantyhose or something, because I could feel it swinging around my thighs. (Note to self: find out why the Gallagher Academy can manufacture raincoats that double as parachutes, but not a strapless bra that can make it through one covert evening.)

"What are you doing here?" I breathed.

"Looking for you."

"Why?" I asked, even though I was pretty sure he didn't know that I'd actually come there so I could take off my bra and stash it in the secret passageway behind the Gallagher family tapestry. Still, I felt like double-checking.

"Because this is where you came the other day."

"Oh."

"I thought this might be where you come…when you're upset." He stepped closer and put his hands in his pockets, which is Body Language 101 for putting someone at ease, but everything about Zach Goode made me uneasy.

He was handsome. He was strong. And most of all, I knew that even though Josh might have been the boy who "saw" me, Zach knew where my favorite passageways were; Zach knew I was a pavement artist; Zach knew where I sat in class and what I ate in the Grand Hall and who my best friends in the world were. Zach "knew" me—or at least the version of me that Josh would never see.

And that was maybe the scariest thing of all. So scary that I temporarily forgot I wasn't just being cool standing there with my hand on my hip—that my hand actually served a very different purpose—so when Zach cocked his head and asked, "So what is it, Gallagher Girl?" I reached up to touch the cold stone wall.

And my bra landed on my feet.

But I didn't have time to panic or worry about how I was going to have to stand in that very spot for the rest of the semester (or at least until Zach walked away), because a siren pierced the air.

A mechanical voice and the words "CODE BLACK CODE BLACK CODE BLACK" sounded.

And then the lights went out.

Chapter Seventeen

The sirens blared, piercing our ears, and the words "CODE BLACK CODE BLACK CODE BLACK" echoed, running together as they reverberated down the long stone hall.

Beside me, the tapestry that bore the Gallagher family tree was moving, sliding slowly between a gap in the stones that then sealed itself as if it had never been there at all.

The only light in the corridor was the moonlight that shone through stained glass windows, but even that was disappearing as thick steel doors slid over the glass.

Although normal protocol says that students are supposed to report to their common rooms in the event of a Code Black, nothing about that night seemed normal at all, so I grabbed Zach's hand and started running toward the Grand Hall as quickly as my high heels would allow.

When we passed the recycling bins at the end of the hall, a container marked BURN—CLASSIFIED MATERIALS ONLY burst into flames.

The vending machines that double as secret entrances to the science labs sank into the floor and were covered with stones identical to the ones that lined the corridor.

And then, one by one, a series of lanterns that hung almost unnoticed along the corridor sprang to life, their pale yellow glow filling the darkness.

"I thought those were for decoration," Zach yelled through the pulsing sirens.

"If everything goes right, they are."

"So this means …"

Formally attired men and women from the maintenance and security departments ran past us, but didn't stop.

"Something is seriously not right."

Bookcases slid into walls, doors swung closed, locks slid into place, and I struggled to yell over the sirens.

"It's security protocol," I said. "There must have been a breach. The whole system goes into lockdown—nothing gets in."

Then, as if to prove my point, steel doors fell from the crown molding, sealing the hallway behind us. "And nothing gets out."